Speak No Evil von Wayne Shorter

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Titelliste

    Titel     Dauer Hörer
1 Witch Hunt (Rudy Van Gelder Edition) (1999 Digital Remaster) 8:09 190
2 Fee-Fi-Fo-Fum (Rudy Van Gelder Edition) (1999 Digital Remaster) 5:52 203
3 Dance Cadaverous (Rudy Van Gelder Edition) (1999 Digital Remaster) 6:44 175
4 Speak No Evil (Rudy Van Gelder Edition) (1999 Digital Remaster) 8:21 163
5 Infant Eyes (Rudy Van Gelder Edition) (1999 Digital Remaster) 6:52 209
6 Wild Flower (Rudy Van Gelder Edition) (1999 Digital Remaster) 6:01 150
7 Dance Cadaverous (Alternate Take) (Rudy Van Gelder Edition) (1999 Digital Remaster) 6:33 119

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Mit: Freddie Hubbard, Joe Henderson, Lee Morgan, Jackie McLean und mehr…


Über dieses Album

Blue Note (1999) Veröffentlicht am: 11. Mär. 1999 7 Titel (48:32)
By C. Michael Bailey Comments


RVG Again. Will Smith and Chris Hovan wrote two very capable articles about the Blue Note RVG Editions. Their articles were very informative and they stimulated me to check out some “new” old music. I decided to start with the initial RVG releases by Wayne Shorter.

D�j� Vu All Over Again The nice thing about both jazz and classical music is that there is always something even the most astute listener has missed in his or her listening experience. Wayne Shorter and Herbie Hancock are two examples of this phenomenon for me. Sure I listened to them with Miles, but I far preferred John Coltrane and Red Garland with Miles and I listened to the latter exclusively in spite of my vinyl copies of Miles Smiles, Nefertitti etc. I preferred Miles’ 50s Quintet to his 60s quintet in the same way that I prefer Mozart and Haydn to Brahms and Wagner.

Music and musical styles are something that many listeners must grow into. Sure I heard Shorter with Art Blakey, and liked him a lot. I saw a unique parallel between Shorter and Benny Golson in their individual contribution to the Jazz Messenger’s book. These were two living legends who were composing jazz standards, not simply interpreting them. This is the case for Shorter on the two discs under consideration. He composed all of the pieces, supporting his considerable composing roles in the Jazz Messengers and the Davis Quintet. This is mid-60’s acoustic jazz of the highest order. This is music that is carefully and thoughtfully crafted by a master and performed by equal masters.
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