Previously: My top 200 tracks 1990-99 Pt.01a: 200 to 181
Previously: My top 200 tracks 1990-99 Pt.01b: 180 to 161
Previously: My top 200 tracks 1990-99 Pt.02a: 160 to 141
Previously: My top 200 tracks 1990-99 Pt.02b: 140 to 121
Previously: My top 200 tracks 1990-99 Pt.03a: 120 to 101
Previously: My top 200 tracks 1990-99 Pt.03b: 100 to 81
Previously: My top 200 tracks 1990-99 Pt.04a: 80 to 61
Previously: My top 200 tracks 1990-99 Pt.04b: 60 to 41
Part five - and the final part - of my tracks of the 90s rundown.
40
R.E.M.
Man on the Moon
Automatic for the People
1992
Ironic that from their darkest, bleakest (and most critically popular) album would come R.E.M.'s most joyous, uplifting song of all - this tender tribute to Andy Kaufman should perhaps be sad, but instead it's euphoric - and not to mention, has a brilliantly silly Elvis impersonation, too...
39
Curve
Chinese Burn
Come Clean
1998
For those of us who were fans of Curve from some time before 1997 or so - i.e. their shoegaze-y days - their transition into female-fronted industrial was a little bit of shock, notwithstanding the NIN-esque textures that
Cuckoo introduced. No, not even that could have prepared us for Chinese Burn, a monstrously loud industrial track that was a quite spectacular change of direction - and resurrected a near-forgotten band, too...
38
The Cure
Burn
The Crow
1995
The greatest moment of a brilliantly diverse soundtrack, this was written specifically for the film, and for me is one of the best songs The Cure every wrote - the pitch black darkness and desperation of the song matches the rainy environment of the film perfectly, and it's also a near-perfect encompassing of everything that was so great about The Cure musically.
37
Chemlab
Suicide Jag
Burn Out at the Hydrogen Bar
1993
Ah, the golden era of "machine rock", or "coldwave", if you prefer. Either way, this is back from the earlier days of industrial rock, when rock acts first were trying to bring together synth programming with a traditional rock structure, and indeed vice versa.
Jared Louche's Chemlab seem to have been around for ever, notwithstanding the odd break in service, but this is one of their earlier songs, and still probably their best - it's not quite rock, not quite industrial, but either way it's great, and Jared's somewhat cryptic lyrics - while still being anthemic - make it even better.
36
Pitchshifter
Underachiever
Infotainment?
1996
The first sign that PSI were changing from their
Godflesh-influenced grind into something more radically different was this track - the quasi-drum'n'bass beat, the sheets of guitar riffs raining down, and the more melodic vocals. Even so, we are talking a matter of degrees here, and this was considerably more abrasive still than the material that gained them so much success subsequently...
35
Strapping Young Lad
Oh My Fucking God
City
1997
Really, how does he do it? Producing album after album of wildly inventive, chaotic metal that is always, without fail, of interest. Particularly the material from this album, where
Devin Townsend really hit paydirt. Apparently this track in particular was inspired by a particularly intense acid trip, or something like, and it's sense of humour along with the astonishing musicianship on display are what make this track so fantastic (and yes, this track is better than
Detox).
34
Senser
Eject
Stacked Up
1994
Back in the days pre-Nu Metal, Rap Metal was for a while actually pretty good. It all seems so long ago, of course, but back then there were a few bands willing to mix politics and incendiary music in a big way, too. I've already covered Rage, but for some reason I always come back to Senser - and in particular this track - first. Hidden away at the tail end of Stacked Up, this always seemed like the forgotten single from the album, despite it being miles better than both
Age Of Panic and
Switch. Each to their own, I guess. Back to this track - a searing, rampaging beast, with
Heitham Al-Sayed's machine-gun-fire rapping matching more perfectly than ever with co-vocalist
Kerstin Haigh's more melodic chorus, and lyrics suggesting a way of life where you find your own path. Being sixteen when I first heard this, it made a lot of sense.
33
Cubanate
It
Interference
1998
The opening track to
Marc Heal's industrial titan's last album, reputedly the lyrics were recorded in one furious take at the end of the album sessions - and they dovetail perfectly with the bruising, low-end roar of the music - a thunderous wall of drum'n'bass, well, mostly bass, frankly, that still terrorizes dancefloors now.
32
Gravity Kills
Enough
Gravity Kills
1996
Yeah, they might be derided as another band riding on the coattails of NIN or whoever, but I don't dare - I still love this album (and the follow-up, actually, but that's beside the point). This was one of the first tracks I came across, it's rampaging industrial metal beat lighting up clubs and my stereo for some time (and still does).
31
Smashing Pumpkins
Silverfuck
Siamese Dream
1993
The glory days of the 'Pumpkins are long, long time ago, the memory of how great they used to be sadly superseded in many ways by just how much of a poor caricature they have become. But anyway, enough about the recent past, let's delve back into history. Siamese Dream - their best album, don't let anyone tell you it's
Mellon Collie & The Infinite Sadness, really, it's most certainly not - was a balancing act of chart-bothering singles and sweeping epics, and this particular track was the epic that
Billy Corgan tried to better at least once on every album that followed, and he never came close. Eight-minute of blistering rock, ambience, prog and tenderness, every single thing that was great about this band was contained at one point or another in this song.
30
Nine Inch Nails
Gave Up (Remixed by Coil with Danny Hyde)
Fixed
1992
I read somewhere that the unusual, cut-up vocals (it sounds as if certain syllables were cut out to break things up) were done because of
Coil's distain for choruses, and if so, all the better. This is one of the best remixes I've ever heard, the clanking, dark ambient intro giving way to fast-paced electronics with the cut-up vocals on top, and all-in it's way, way better than the more conventional original version...
29
Ministry
Jesus Built My Hotrod
[
Psalm 69: The Way to Succeed and The Way To Suck Eggs]
1992
Who knows what the fuck
Gibby Haynes was on about in his deranged rants on this track, but whatever it was, it sounded like fantastic fun. As was the track itself - a supercharged, speeding industrial metal behemoth hurtling towards the barriers and not giving a shit.
28
Faith No More
Everything's Ruined
Angel Dust
1992
Angel Dust was awesome - and a hell of a step into the unknown following the mildly more straightforward
The Real Thing - and perhaps unexpectedly, for such a insanely experimental album, was a big success. This has been my favourite of the singles from this album for years, and always seemed to be the forgotten single, as it were - and was ignored again on the band's reformation this year. It's bass-heavy charge is simply the finest moment on the album, although the video doesn't half look dated...
27
Nirvana
Come As You Are
Nevermind
1991
So it might have borrowed (ok, nicked wholesale) the bassline from
Killing Joke's
Eighties, but it turned it into something wholly darker, strangely. One of the least likely singles from the all-conquering Nevermind, perhaps, at least until the chorus kicks through the door, it's also the best four minutes
Kurt Cobain's band ever wrote, and one of the few Nirvana songs I still go back to time and time again.
26
Tool
Forty Six & 2
Ænima
1996
Like many Tool songs,
this song has deeper lyrical meanings that many of us might well have missed otherwise, but musically is one of the more straightforward songs on the album (it's even in 4/4 for most of the time!). This latter point doesn't reduce the astonishing power of this track, though, particularly as it picks up the pace later in the track.
25
Mazzy Star
Fade Into You
So Tonight That I Might See
1993
Mazzy Star's bluesy, minimalist ballads were something of an acquired taste, and were really for a particular time, too - after dark. But it was always all about
Hope Sandoval's utterly gorgeous voice, and it's certainly the case with this track - her voice dominates proceedings, not that anyone was complaining... (Also of note from this era is the glorious
Jesus & Mary Chain's
Sometimes Always, that she duetted on - I'd forgotten all about that until researching this...)
24
Manic Street Preachers
Yes
The Holy Bible
1994
The searing, burning opener to one of the most astonishingly hate-fuelled albums ever released,
Richey Edwards' lyrics appear to compare the idea of "selling out" to prostitution, and it's perhaps even more incredible that the band were actually considering this to be a single at one point. Not that it's a bad song, by any stretch - it's by miles my favourite Manics track - it's just that it's not really the type of song that would be considered, er, pop. The spiky, edgy rock, the only-just understandable lyrics, oh, and the use of the word "cunt" within the first two lines...
23
KMFDM
Juke Joint Jezebel
Nihil
1994
It certainly had a helping hand from appearing on the Mortal Kombat Soundtrack, but this eternally popular industrial dancefloor track would surely have ended up with the same status even if it hadn't been used. I mean, how could we resist a thumping beat, crunching guitars and a gospel-based chorus? By a long chalk the most uplifting industrial track I've ever heard, I'm not entirely sure this will ever go out of fashion.
22
Daft Punk
Da Funk
Homework
1997
Daft Punk's ascent to the mainstream seemed to have taken all of, oh, five minutes, but I'm sure it took longer than that. But with tracks as great as this, it's not hard to see why they became so popular so fast. A thumping, um, funk house track that is a masterpiece of simplicity, it's video is also of note for being so wilfully odd (and sad, too...).
21
Front Line Assembly
Vigilante
Millenium
1992
The stonking, predatory opener to FLA's most "metal" album of all, it's judicious use of samples from
Falling Down only heighten the tension as it kicks in, all guns-blazing - figuratively and literally, thanks to the samples. Best experienced live, so the full force of it can be appreciated...
Shortly: My top 200 tracks 1990-99 Pt.05b: 20 to 1
Killing Joke
