Grimes

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There is a powerful harmony in Grimes. It is a project which is both musical and visual, embodying the arts of 2D, performance, dance, video and sound. Claire Boucher weaves these together to a strong rhythmic effect, “the marriage between the voice of a human and the heartbeat of a machine” .

Boucher, born in Vancouver, Canada, came to Montreal in 2006. Her experience as a performer is deeply embedded in the illegal DIY loft culture of Montreal, where Grimes was one of the prominent figures in the scene surrounding Lab Synthèse – a 4600sq ft re-appropriated textile factory. She developed in a scene where punk ethos and pop music collide, resulting in a distinct sense of community, religiosity and psychedelic revelry.

Visions arises as Boucher’s fourth release in less than two years. Geidi Primes (2010), initially released as a limited 30 cassette run and free download, then followed by Halfaxa (2010) – arguably one of the first witch-house or lo-fi R&B releases. On Darkbloom (2011), Grimes begins taking her first steps as a producer, bringing together the experimentation behind her early work and a cutting edge pop aesthetic.

Each album tackles a different set of influences and styles. Her newest album, Visions, incorporates influences as wide as Enya, TLC and Aphex Twin, drawing from genres like New Jack Swing, IDM, New Age, K-pop, Industrial and glitch. This approach has marked Grimes as a curator of culture, and allowed the project to remain flexible and evolving.
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