Following an incremental shift through a number of critically acclaimed releases, Honig’s work has been featured in The Wire (UK), XLR8R (USA), The Village Voice (USA), De:Bug (Germany), Textura (Canada), Flavorpill/Earplug (USA), Time Out New York (USA), Spex (Germany), Urb (USA), TRAX (France) and many other publications worldwide. His personal musical movement has been directly linked with the development of the Anticipate and Microcosm labels. Spending as much time on curatorial activities and label management as he does on his own music production has afforded Honig a unique viewpoint from which to work, and informs his activities in multiple stages of the musical process, as well as offering him the chance to collaborate with other artists.
In addition to his studio releases and label work, Honig performs live consistently, and, in this setting, strives to push beyond the boundaries of the recorded material. His improvisational approach combines loops and elements from various songs with on-the-fly arrangements, editing and effects. Viewing the recorded material as a constantly shifting body of work leaves space for serendipitous moments and leads to each set being an individualized rework, referencing and reprocessing itself. As a result of this flexibility to tailor sets to the environment, Honig’s performances have been known to take the form of deep after-hours techno, rhythmic near-ambient or heartbeat-driven installation.
Bearbeitet von ToolTech am 13. Jun. 2008, 23:24
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