Black Diamond Heavies

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Black Diamond Heavies sound like whiskey sliding down the pulsating human hatch, and hitting an empty stomach with a discomforting thud. A shot of Detroit river water slipping down your throat and soaking into a slowly digesting meal - the type of meal that prepares you for a long night of slamming empty glasses on a waxed countertop - is a bit more kindly, but the blues don’t really give a fuck about that. The blues - especially after doing several lines of cocaine off of rock ‘n’ roll’s cock in a dingy and dimly lit bar bathroom - taste a lot like the type of puke-bucket magic that Black Diamond Heavies conjure up with nothing more than your basic set of skins and some smoothly played organ. And, if Black Diamond Heavies were the jukebox that rests in the corner of our barstool scenery, the 45s within that vintage machine would crackle and pop as they turned out Southern anthems of energy and sorrow played night after night through a distorted speaker that the barkeep never bothers to fix because it just sounds so damn good. - Ryan Patrick Hooper
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Nashville’s Black Diamond Heavies spent a lot of time on the road after the release of their first album, 2007’s Every Damn Time, and you can hear the lessons of dozens of sweatbox gigs on their second full-length set, 2008’s A Touch of Someone Else’s Class.
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