B. Fleischmann

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Vienna Calling, in the middle of the nineties with a more and more electronic voice. A city became famous for its electronic music scene. And Bernhard Fleischmann found its unique place in it. A laptop, sound loops, rhythm patterns. A gig at the legendary picknick@rhiz festival. Indulging melodies, but never sugary, surrounded by tricky rhythm structures. Songs, not just tracks, arranged on an impressing record: “poploops for breakfast” founded the love story between Bernhard Fleischmann and the young label Morr Music in autumn 1998. The “Sidonie EP” followed in 1999.Being an old friend he maybe doesn’t have to introduce himself any more. But Bernhard Fleischmann is too well-mannered not to. „Hello microphone, hello voice“, that’s what he lets „sweet william van ghost“ sing right at the beginning, accompanied by a warm and yet cautious piano. He reveals a lot of himself, his voice as well, although he used to let good friends have the singing part in the past. Now, a good friend died. That’s why Bernhard Fleischmann sang two songs himself on this – depending on the way of counting – fourth, fifth or even sixth album released by Morr Music. There are two Farewell-Songs, genuine and touching, that also shone the light of this record’s way: Even more as „The Humbucking Coil“ „Angst is not a Weltanschauung“ has taken its way from sound- to song-writing.
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