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灰野敬二
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Keiji Haino (灰野 敬二 Haino Keiji) born 1952 in Chiba, Japan, and currently residing in Tokyo, is a Japanese musician whose work has included rock, free improvisation, noise, singer-songwriter, solo percussion, psychedelic, minimalism and drone styles, and covers. He has been active since the 1970s and continues to record regularly and in new styles. His main instruments of choice have been guitar and vocals, with many other instruments and approaches incorporated into his career’s work. Haino is known for intensely cathartic sound explorations, and much of his work bears an insular singularity, but his output has been so varied as to not always be recognizable as him.
Haino’s initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors’ „When The Music’s Over“ and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film soundtrack composer Toru Takemitsu.
His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio.
Haino’s initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors’ „When The Music’s Over“ and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film soundtrack composer Toru Takemitsu.
His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio.
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A Challenge To Fate
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Beginning and End, Interwoven
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Nijiumu
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わたしだけ？
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Shoutbox
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XXITheWorld schrieb:
Thanks for the suggestions, gonna check those out
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Ackibear schrieb:
What about Keeping On Breathing then? It sounds like one of the songs is just a shorter version of Koko, and it has some other, more aggressive songs on it, so that's where I would start if I could start all over.
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Fareday schrieb:
koko is beautiful, and a personal favourite, but I don't think it's a good start point for keiji's stuff... it's kind of... 'apart'
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Fareday schrieb:
A Challenge to Fate. If you are brave enough, of course. Black Blues and Tenshi no Gijinka are good for listening next. Then, go for Execration that Accept to Acknowledge, Affection, Beginning and End, Watashi Dake, Tangled Up in The Universe, 21st-century-hard-y-guide-y man and C'est Parfait. Then jizz on pants.
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Ackibear schrieb:
Getting both versions of Black Blues is a good start, since you get both aggressive and mellow Keiji, then maybe A Challenge To Fate and Beginning and End, Interwoven. Koko and Affection from there then, and then go off and get whatever else you can from there.
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XXITheWorld schrieb:
What album should I listen to first, I'm kinda lost with all these Kanji titles
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TomBarlow schrieb:
Poking pic is awesome.
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Ackibear schrieb:
The sofa picture annoys me.
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Fareday schrieb:
i know he looks dark and stuff, but hell, he has lots and lots and lots of better pictures... ):
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Fareday schrieb:
NOOO!! F*** THAT DAMN SOFA!
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Ackibear schrieb:
I wish the albums on here were uploaded better, but I guess it's pretty much impossible when people are tagging with the original titles, and translated titles left, right, and centre.
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LightDistortion schrieb:
Damn, those Blacknesses (if that's even a word) are intense.
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Varajama schrieb:
Keiji Haino is one of the best musicians in the world! I love his music. Hes a genius!!!
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CrippledHealing schrieb:
To show how awesome he is I named my new account on Aria of Sorrow Keiji.
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Fareday schrieb:
oh nevermind, fix'd it :3
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Fareday schrieb:
where has tenshi no gijinka cover gone? ):
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Fareday schrieb:
it's cool, his screams are frightening on that one. as far as I know, he uses only the wave drum and voice. everything, from the common drumming sounds to that bizarre non-percussion sound, is wave drum.
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Ackibear schrieb:
I'm still yet to hear that one. I'll get it and give it a try. Also, what's the 2nd track on Abandon All Words At A Stroke, So That Prayer Can Come Spilling Out like? LIke, where he uses the wave drum?
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Fareday schrieb:
tenshi no gijinka is mindblowing, but for me, his best percussion work is 'c'est parfait'. freaking intense shit
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Ackibear schrieb:
Koko changed my mind on Keiji completely. I was expecting all of his music to have some sort of ugly beauty to it, then I heard Koko, and I was like, "Fuck, he can also do beautiful beauty?" Tenshi No Gijnka is the first (solo) Keiji album I remember hearing, and I loved it. I've always had a soft spot for percussion and voice.
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JamesLebowski
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