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灰野敬二
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Keiji Haino (灰野 敬二 Haino Keiji) born 1952 in Chiba, Japan, and currently residing in Tokyo, is a Japanese musician whose work has included rock, free improvisation, noise, singer-songwriter, solo percussion, psychedelic, minimalism and drone styles, and covers. He has been active since the 1970s and continues to record regularly and in new styles. His main instruments of choice have been guitar and vocals, with many other instruments and approaches incorporated into his career’s work. Haino is known for intensely cathartic sound explorations, and much of his work bears an insular singularity, but his output has been so varied as to not always be recognizable as him.
Haino’s initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors’ „When The Music’s Over“ and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film soundtrack composer Toru Takemitsu.
His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio.
Haino’s initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors’ „When The Music’s Over“ and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film soundtrack composer Toru Takemitsu.
His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio.
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A Challenge To Fate
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Beginning and End, Interwoven
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Nijiumu
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わたしだけ？
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Shoutbox
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RLX-Devlin schrieb:
Picture & comment: http://jagaland.de/?p=925
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telteltel schrieb:
cool and hot
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djbsd007 schrieb:
nice
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Fareday schrieb:
http://www.last.fm/group/Ferocity+of+Practical+Life/
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Varajama schrieb:
Wild and gorgeous: Keiji Haino
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Ackibear schrieb:
Who says that? I really enjoyed that album. It reminded me of Origin's Hesitation by Fushitsusha, but without bass or vocals.
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Fareday schrieb:
everyone says Global Ancient Atmosphere is boring, but I SIMPLY LOVE IT.
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Ackibear schrieb:
I dunno, Nijiumu and Even Now, Still I Think are pretty awesome as well...
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WillOtheWisp666 schrieb:
I Said. "This Is the Son of Nihilism" is the best album.
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Ackibear schrieb:
Pretty much one of the best artist pictures on last.fm.
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PMSingGremlin schrieb:
nice drums
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Ackibear schrieb:
Live I is fucking awesome.
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Fareday schrieb:
check also his fushitsusha stuff. Live I and Live II are epic.
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Fareday schrieb:
Keeping on Breathing is cool, i like it a lot, but I don't think it's a good 'introducer'... i don't know... but i don't know why people bother about the 'first-listening album' that much lol just get three or four albums and listen to it!
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XXITheWorld schrieb:
Thanks for the suggestions, gonna check those out
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Ackibear schrieb:
What about Keeping On Breathing then? It sounds like one of the songs is just a shorter version of Koko, and it has some other, more aggressive songs on it, so that's where I would start if I could start all over.
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Fareday schrieb:
koko is beautiful, and a personal favourite, but I don't think it's a good start point for keiji's stuff... it's kind of... 'apart'
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Fareday schrieb:
A Challenge to Fate. If you are brave enough, of course. Black Blues and Tenshi no Gijinka are good for listening next. Then, go for Execration that Accept to Acknowledge, Affection, Beginning and End, Watashi Dake, Tangled Up in The Universe, 21st-century-hard-y-guide-y man and C'est Parfait. Then jizz on pants.
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Ackibear schrieb:
Getting both versions of Black Blues is a good start, since you get both aggressive and mellow Keiji, then maybe A Challenge To Fate and Beginning and End, Interwoven. Koko and Affection from there then, and then go off and get whatever else you can from there.
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XXITheWorld schrieb:
What album should I listen to first, I'm kinda lost with all these Kanji titles
Videos
Events
- Feb 4 Keiji Haino + Ilpo Väisänen & Mika Vainio Stadtgarten, Köln, Deutschland
- Feb 5 Keiji Haino & Ilpo Väisänen + Mika Vainio Black Box, Münster, Deutschland
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Letzte Aktivitäten
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JoshCIVM, GoedeltoGentzen, TolxloT und 2 weitere Leute haben 灰野敬二 zu ihren Musiksammlungen hinzugefügt. vor 10 Stunden
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Avarance- hat 灰野敬二 als experimental, avant-garde, psychedelic rock und mit einem weiteren Tag getaggt. Samstag Nachmittag
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PappyDumplin und MushroomRazor haben 灰野敬二 zu ihren Musiksammlungen hinzugefügt. Freitag Morgen
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avantdeath hat etwas über 灰野敬二 in einem gelöschten Blogeintrag geschrieben. Mittwoch Nachmittag
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avantdeath hat in Best of the 1980's über 灰野敬二 geschrieben. Mittwoch Nachmittag
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Ein gelöschter Benutzer hat 灰野敬二 zu seiner Musiksammlung hinzugefügt. letzte Woche
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Andrew_Williams hat 灰野敬二 als gotta check out, avant-garde, experimental und mit einem weiteren Tag getaggt. letzte Woche
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Blogeinträge
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Best of the 1980's
von avantdeath |
3. Feb. 2010 | Kommentar hinzufügen
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Musicians I have dreamed about
von blogpostar |
22. Nov. 2009 | Kommentar hinzufügen
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Just lolJournal
von Petrochenkoff |
16. Aug. 2009 | 6 Kommentare
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